Monday, November 10, 2008

Research - 10th of November, 2008.

"... actually get a band, [a] band's much better than ipods. But then you gotta pay em, and they never want to tour, and you always get one guy in the band that you just wish was never in the band."

- Dan Deacon, on technology.

Saturday, November 08, 2008

Michel Gondry (possibly) posts image, excitement ensues.

The business of being an Artist.

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This Tuesday at Serial Space in Chippendale I have a new performance / installation opening as part of The business of being an Artist, curated by Katherine Byrne. The exhibition is an investigation by several artists of the effects of one's day-job on their artistic practice. Surprisingly this isn't as doom and gloom as it sounds, but obviously the enjoyment factor of an artist's particular line of paid employment has a lot of bearing on such matters. Having spent much of my time since beginning university as member of the retail sector my work, Productive Time Off (don't tell me it's a means to an end) reflects the inherent joys that go with it. With cardboard.

The opening kicks off around 6 (as these things) go. The performance will start at some point soon after, and conclude after I run out of cardboard. This may take a while, so being punctual may not be neccessary in this instance.

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The Business of being an Artist

Featuring Artists: Ben Byrne, Rene Christen, Cameron Foster, Daniel Green,
Emily Morandini, William Noble, Beth Norling, Alex White

Curated by: Katherine Byrne

Opening: Tuesday 11th November, 2008 6-8pm
Exhibition: 12th-22nd November, 2008
Open: Wednesday - Saturday 12-6pm

Serial Space
33 Wellington St Chippendale

The portrait of the Artist, starving, frozen in his garret, suffering for his art is one of the more well known clich├ęs but for all the dramatisations of the artist's plight, the reality is that the vast majority of practicing artists must balance their artistic life with a paid one. This often means electing to either live in relative comfort with full time paid work and struggle to find the time and energy to keep up their artistic practice. Or, to juggle various part time jobs to create the flexibility and time their art life demands leaving instead a struggle at times to make ends meet. The Business of being an Artist explores this dilemma and the different solutions artists adopt to manage these conflicting areas of their lives.

For this exhibition eight artists have been asked to create works which form the beginning of an exploration of the effects, both bad and good, that this daily balancing act has on their artistic practices. Each work is a self-reflexive exploration of the compromises these artists make each day to allow them to make the art they feel driven to create.

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